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Colorful Clouds Chasing the Moon

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Ren Guang

Ren Guang (arr. Simon Yau Yuen Hing)


General Info

Year: 1935 / 1986 / 2012
Duration: c. 3:35
Difficulty: III (see Ratings for explanation)
Original Medium: Orchestra
Publisher: JC Link Co.
Cost: Score and Parts (print) - HK$280.00


Instrumentation

Full Score
C Piccolo
Flute I-II
Oboe I-II
Bassoon I-II
E-flat Clarinet
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III-IV
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
String Bass
Timpani
Percussion I-II-III, including:

  • Crash Cymbals
  • Glockenspiel
  • Snare Drum
  • Triangle
  • Vibraphone
  • Wind Chimes
  • Wood Blocks (2)


Errata

None discovered thus far.


Program Notes

In 1932, Ren Guang, a great Chinese musician, was the director of programme department of record company EMI (Shanghai). At that time, together with another famous Chinese musician Nie Er, he wrote a number of Chinese orchestral music for an album by EMI Chinese orchestra. Colorful Clouds Chasing the Moon is one of them, composed in 1935.

Colorful Clouds Chasing the Moon indicates a picture of the night sky. We can see the color of the night, which is not black but “colorful”. And there is the glorious moon, crystal clear, like water. “Chasing” the word gives action to the picture, with some vividness in the twilight. Under the night sky background, the clouds and the moon chase each other. What a beautiful scene of serenity!

In 1960, Peng Xiuwen re-orchestrated this music according to the establishment of Chinese National Orchestra. With an ethnic pentatonic melody, dizi, erhu reciting the main rhythm in turns, then light rhythm of plucked string instruments, the bass of plucked string and open sound of hanging cymbals, all together depict the charming scenery of the vast night sky.

Was it originally a Cantonese folk song? No … A lot of online sources credit this music as originally a Cantonese (Guangdong Province) folk song. The direct reason, I guess, is that the most famous vocal version of this music is sang in Cantonese (a Chinese dialect, popular in southern China including Hong Kong). However, as mentioned above, this music was composed by Ren Guang and Nie Er in 1935, and it’s NOT a Cantonese folk song. So what happened?

Given its beautiful and simple rhythm, many lyricists have written lots of versions of lyrics to the music. Among those songs, the Cantonese version was the earliest and most successful one. In addition, for a long time after World War Two, Hong Kong is the center of Chinese entertainment industry. The prosperous music market in Hong Kong produced lots of successful and influential singers and songs. Thus, the Cantonese version of this music became more and more popular and prevalent. Gradually, people start to believe it is a Cantonese folk song …

- Program Note by Jensen Liu]


Commercial Discography

None discovered thus far.


Media


State Ratings

None discovered thus far.


Performances

To submit a performance please join The Wind Repertory Project

  • Washington State University (Pullman) Symphonic Wind Ensemble (Branson Bell, conductor) – 12 February 2020


Works for Winds by this Composer


Resources