Please DONATE to help with maintenance and upkeep of the Wind Repertory Project!

Chorale and Variations

From Wind Repertory Project
Jump to navigation Jump to search
Philip Sparke

Philip Sparke


General Info

Year: 2003
Duration: c. 14:00
Difficulty: IV (see Ratings for explanation)
Publisher: Anglo Music, through De Haske
Cost: Score and Parts - $233.00   |   Score Only - $34.00


Instrumentation

Full Score
Piccolo
Flute I-II
Oboe
Bassoon
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
String Bass
Timpani
Percussion I-II-III, including:

  • Bass Drum
  • Crash Cymbal
  • Glockenspiel
  • Medium Tom-tom
  • Snare Drum
  • Suspended Cymbal
  • Tambourine
  • Triangle
  • Tubular Bells
  • Wind Chimes
  • Wood Block
  • Xylophone


Errata

None discovered thus far.


Program Notes

Chorale and Variations was commissioned by Thierry Patel of the Ecole Intercommunale de Gaillon-Aubevoye, France, and premiered by their concert band, with the composer conducting, on 3rd May 2003.

As the title suggests, the piece comprises a set of variations on an original chorale, which is presented at the start. Set firmly in C minor, the chorale uses the dark middle and lower sections of the band and is extended with minor variations until a pause leads to the first real variation, marked Vivo. This is a moto perpetuo, featuring repeated eighth notes which initially form the main melodic interest and then an accompaniment to a lyrical theme in the tenor register.

The second variation, Andante, opens boldly and introduces a solo clarinet, which plays a metrical variation on the chorale tune. The brass build to a full band climax and elements of the chorale bring this variation to a close.

The final variation opens with quiet, nervous energy until its main theme (based on the opening notes of the chorale) is introduced. This reaches a climax and leads to a second florid theme in the low clarinets, which is to play an important part later in the work. The chorale makes a brief appearance until the main theme reappears. This leads to a triumphant final augmented statement of the chorale theme, decorated by the florid clarinet theme in the upper woodwinds.

- Program Note from publisher


Media


State Ratings

None discovered thus far.


Performances

To submit a performance please join The Wind Repertory Project


Works for Winds by This Composer


Resources