Carmen Fantasy (arr Suzuki)
Georges Bizet (arr. Eiji Suzuki)
General Info
Year: 1875 / 1999
Duration: c. 7:20
Difficulty: IV-1/2 (see Ratings for explanation)
Original Medium: Orchestra
Publisher: Bravo/Brain Music
Cost: Score and Parts (print) - $90.00
Instrumentation
Full Score
C Piccolo
Flute I-II
Oboe
Bassoon
B-flat Soprano Clarinet I-II
B-flat Bass Clarinet
B-flat Soprano Saxophone
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II-III
Trombone I-II-III
Euphonium
Tuba
String Bass
Piano
Timpani
Percussion I-II-III-IV, including:
- Bass Drum
- Crash Cymbals
- Glockenspiel
- Marimba
- Sizzle Cymbal
- Snare Drum
- Suspended Cymbal
- Tambourine
- Triangle
- Vibraphone
- Wind Chimes
- Xylophone
Errata
None discovered thus far.
Program Notes
Totally delightful and pleasing, revealing the arranger's wit and versatility. Suzuki avoids rehashing standard forms, choosing instead to capture the rhapsodic intent of Bizet's colorful melodies. Includes Seguidilla, March and Chorus, Finales Act 1 & 3, Gypsy Song and more.
- Program Note from publisher
Carmen is an opera in four acts by French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée. The opera was first performed at the Opéra-Comique in Paris on 3 March 1875 and was not well received, largely due to its breaking of convention and controversial main characters, which shocked and scandalized its first audiences. Bizet died suddenly after the 33rd performance, and therefore was unaware of its outstanding success in Vienna later that year, or that it would win enduring international acclaim within the next ten years. Carmen has since become one of the most popular and frequently performed operas in the classical canon; the Habañera from act 1 and the Toreador Song from act 2 are among the best known of all operatic arias.
The opera is written in the genre of opéra comique with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of the fiery gypsy Carmen. José abandons his childhood sweetheart and deserts from his military duties, yet loses Carmen's love to the glamorous toreador Escamillo, after which José kills her in a jealous rage. The depictions of proletarian life, immorality, and lawlessness, and the tragic death of the main character on stage, broke new ground in French opera and were highly controversial.
After the premiere, most reviews were critical, and the French public was generally indifferent. Later commentators have asserted that Carmen forms the bridge between the tradition of opéra comique and the realism or verismo that characterised late 19th-century Italian opera.
The music of Carmen has since been widely acclaimed for brilliance of melody, harmony, atmosphere, and orchestration, and for the skill with which Bizet musically represented the emotions and suffering of his characters. The opera has been recorded many times since the first acoustical recording in 1908, and the story has been the subject of many screen and stage adaptations.
- Program Note from Wikipedia
Commercial Discography
- Audio CD: Shobi Wind Orchestra
Media
State Ratings
- Tennessee: IV
Performances
To submit a performance please join The Wind Repertory Project
- University of Florida (Gainesville) Wind Symphony (David Waybright, conductor) – 4 April 2019
- Victoria Junior College Symphonic Band (Singapore) (Adrian Chiang, conductor) – 27 May 2015
Works for Winds by This Composer
Adaptable Music
- Carmen Fantasy (Flex instrumentation) (arr. Park) (1875/2017)
- Children's Chorus from "Carmen Suite" (Adaptable Band) (arr. Fisher) (1875/2017)
- Farandole from L'Arlésienne Suite No.2 (Flex instrumentation) (arr. Kataoka) (1872/2014)
- Habañera (Flex instrumentation) (arr. Stanton) (19875/2016)
All Wind Works
- Adagietto (Brass Quintet) (arr. Hautvast)
- Adagietto (Clarinet Quartet) (arr. Hautvast)
- Adagietto (Saxophone Quartet) (arr. Hautvast)
- Adagietto (Woodwind Quartet) (arr. Hautvast)
- Adagio from Bizet Symphony (arr. Brand)
- Andante (arr. Van Der Beek)
- Au fond du temple saint (arr. Johnson) (1863/2017)
- Carmen (tr. McAlister; ed. Reed) (1875/2000)
- A Carmen Celebration (arr. Cacavas) (1875/2010)
- Carmen Fantasia (arr. Hunsberger) (1875/2004)
- Carmen Fantasy (arr. Ito) (1875/2009)
- Carmen Fantasy (arr. Sostac) (1875/2011)
- Carmen Fantasy (Flex instrumentation) (arr. Park) (1875/2017)
- Carmen Fantasy (arr. Suzuki) (1875/2001)
- Carmen Fantasy (arr. Tobani and Kent) (1875/1947)
- Carmen: Habanera (arr. Zugrov) (1875/2015)
- Carmen Highlights (arr. Williams) (1875)
- Carmen Suite (arr. Bullock) (1875/1983)
- Carmen Suite (arr. Guirard; tr. Buckley) (1875/2018)
- Carmen Suite (arr. Holcombe and Holcombe Jr.) (1875/1998)
- Carmen Suite (arr. Sheen) (1875/1991)
- Carment Suite I (arr. Laughlin) (1875/2020)
- Carmen Suite II (arr. Laughlin) (1875/2020)
- Carmen Symphony (tr. Serebrier; ed. Patterson) (1875)
- Children's Chorus from "Carmen Suite" (Adaptable Band) (arr. Fisher) (1875/2017)
- Duet from "The Pearl Fishers" (arr. de Meij) (1875/2016)
- Farandole (arr. Bocook) (1872/2002)
- Farandole (1872/1988)
- Farandole (arr. Daehn) (1872)
- Farandole (arr. Iasilli) (1872/1936)
- Farandole from L'Arlésienne Suite No.2 (Flex instrumentation) (arr. Kataoka) (1872/2014)
- Farandole (arr. Schaefer) (1872)
- Farandole (arr. Longfield) (1872/1993)
- Flower Song from “Carmen” (arr. Harding) (1875)
- Gypsy Dance (arr. Reed) (1872/1997)
- Habañera (Flex instrumentation) (arr. Stanton) (19875/2016)
- Habañera from "Carmen" (trans. Odom) (1875)
- Jeux d'enfants (arr. Di Scala)
- Intermezzo (arr. Sharp) (1875/2002)
- L’Arlésienne Suite No. 1 (arr. Finck) (1932)
- L’Arlésienne Suite No. 1 (arr. Laurendeau) (1905)
- L’Arlésienne Suite No. 2 (arr. Finck; tr. Duthoit) (1872/1932)
- L’Arlésienne Suite No 2 (tr. C. Godfrey; ed. McAlister and Reed) (1872/2002)
- L’Arlésienne Suite No. 2 (arr. Sorlin) (1872/2005)
- Minisuite from Carmen (arr. Marlatt) (1875)
- Minuet from "L’Arlésienne Suite" (arr. Walko) (1872/)
- Music from Carmen (arr. Saucedo) (1875)
- Open Thy Heart (arr. Glover) (1859/2014)
- Overture to "The Pearl Fishers" (arr. Cailliet) (1863/1956)
- Pastorale and Intermezzo (arr. Lake) (1924)
- Petite Suite: Jeux d'Enfants (arr. Brand) (1871/1999)
- Selections from Bizet’s Carmen
- Selections from "Carmen" (arr. Dunnigan) (1875/2021)
- Selections from "Carmen" (arr. Musser) (1875/1941)
- Selections from "Carmen" (arr. Safranek) (1875/1912)
- Selections from "Carmen" (arr. Sharp) (1875)
- Selections from "The Pearl Fishers" (arr. Lake) (1875/1921)
- Suite: Jeux d'Enfants (arr. Brand). See: Petite Suite: Jeux d'Enfants
- Suite from "Carmen" (arr. Curnow) (1875)
- Suite from "Carmen" (arr. D. Godfrey) (1875/1915)
- Toreador Song (arr. Barnes) (1875/1988)
- Toreador Song (arr. Barrow) (1875/1976)
- Two Bizet Pieces (arr. Frackenpohl)
- Votre Toast (arr. Cray) (1875)
Resources
- Carmen, Wikipedia Accessed 11 April 2016