Capriccio Espagnol (arr Williams)
Nikolai Rimsky-Korsakov (arr. Mark Williams)
General Info
Year: 1887 / 1993
Duration: c. 3:00
Difficulty: III (see Ratings for explanation)
Original Medium: Orchestra
Publisher: Alfred Music Publishing
Cost: Score and Parts (print) - $65.00; (digital) - $65.00 | Score Only (print) - $6.00
Instrumentation
Full Score
Flute I-II
Oboe
Bassoon
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Cornet I-II-III
Horn in F I-II
Trombone I-II
Euphonium
Tuba
Timpani
Percussion I-II-III, including:
- Bass Drum
- Bells
- Castanets
- Crash Cymbals
- Snare Drum
- Suspended Cymbal
- Tambourine
- Triangle
- Xylophone
Errata
None discovered thus far.
Program Notes
Not losing any of the original's energy, this fiery arrangement brings the enchanting flavor of Spain instantly to life. This version is heightened by the great use of quick eighth-note unison passages, brilliant woodwind parts powerful and full percussion scoring. It is brilliantly and powerfully scored, with an explosive finale.
- Program Note from publisher
Capriccio Espagnol, Op. 34, is the common Western title for a five-movement orchestral suite, based on Spanish folk melodies, composed by the Russian composer Nikolai Rimsky-Korsakov in 1887. Rimsky-Korsakov originally intended to write the work for a solo violin with orchestra, but later decided that a purely orchestral work would do better justice to the lively melodies.
The work has five movements, divided into two parts comprising the first three and the latter two movements, respectively. The first movement, Alborada, is a festive and exciting dance, typically from traditional Asturian music to celebrate the rising of the sun. It features the clarinet with two solos, and later features a solo violin with a solo similar to the clarinet's. The second movement, Variazioni, begins with a melody in the horn section. Variations of this melody are then repeated by other instruments and sections of the orchestra.
The third movement, Alborada, presents the same Asturian dance as the first movement. The two movements are nearly identical, in fact, except that this movement has a different instrumentation and key. The fourth movement, Scena e canto gitano (Scene and Gypsy Song) opens with five cadenzas — first by the horns and trumpets, then solo violin, flute, clarinet, and harp — played over rolls on various percussion instruments. It is then followed by a dance in triple time leading attacca into the final movement.
The fifth and final movement, Fandango Asturiano, is also an energetic dance from the Asturias region of northern Spain. The piece ends with an even more rousing statement of the Alborada theme. A complete performance of the Capriccio takes around 16 minutes.
- Program Note from Wikipedia
Media
State Ratings
- Alabama: Class CC
- North Carolina: IV
- Oregon: REQUIRED BAND LIST 1A 2A
- South Carolina: III
- Tennessee: III
- Virginia: IV
Performances
To submit a performance please join The Wind Repertory Project
- College of Saint Benedict and Saint John's University (Collegeville, Minn.) Symphonic Band (Justin T. Zanchuk, conductor) - 12 December 2022
- Clovis (Calif.) East High School Symphonic Winds (Scott Downs, conductor) – 22 April 2022 (2022 San Joaquin Valley (Calif.) Concert Band Invitational)
- Briar Ridge High School (Ashburn, Va.) Wind Ensemble (Duane Minnick, conductor) - 16 December 2021
Works for Winds by This Composer
- Bolero for Band
- Capriccio Espagnol (tr. Courtain) (1887/1959)
- Capriccio Espagnol (tr. Hindsley) (1887)
- Capriccio Espagnol (arr. Williams) (1887/1993)
- Capriccio Espagnol (arr. Winterbottom) (1887/1923)
- Capriccio Espagnole (arr. Nefs) (1887/2015)
- Concerto for B-flat Clarinet and Wind Orchestra (ed. Seely) (1878/2000)
- Concerto for Trombone and American Band (arr. Nallin) (1877/1952-1953)
- Concerto for Trombone and Military Band (ed. Makarov) (1877/1950)
- Concerto for Trombone and Military Band (ed. McAlister) (1877/1981)
- Concertstück in Eb for Clarinet and Military Band (adapt. Piket) (1878/1981)
- Cortege from "Mlada" (1890)
- Dance of the Buffoons (tr. Sartorius) (1882/1935)
- Dance of the Tumblers (arr. Balent) (1882/2000)
- Dance of the Tumblers (arr. Curnow) (1882/2012)
- Dance of the Tumbers (arr. Vosbein) (1882/1991)
- Dubinuska (tr. Schreurs) (1906/2018)
- Fanfare, Canto and Fandango (arr. Custer) (1887/1996)
- Festival at Baghdad (arr. Winterbottom) (1888/1912)
- Festival at Baghdad. See also: Scheherazade
- Flight of the Bumblebee (arr. Davis) (1900/1978)
- Flight of the Bumblebee (arr. Murtha) (1900/)
- The Golden Cockerel (arr. Lake) (1922)
- Mlada Suite (arr. Glocke) (1890)
- Notturno (ed. King) (1888/1957/2001)
- Polonaise (arr. McLain) (1895/2017)
- Polonaise (arr. Duthoit) (1895/1937)
- Polonaise from "Pan Voyevoda" (arr. Bourgeois) (1903/2013)
- Procession of the Nobles (arr. Bocook) (1870/1992/2006)
- Procession of the Nobles (arr. Leidzen) (1870/1938/1999)
- Quintet in B-flat major (1876)
- Quintet in B-flat major (ed. Kirkor) (1876/1951)
- Russian Easter Overture (tr. Johnson) (1888/2013)
- Russian Easter Overture (arr. Bocook) (1888/2000)
- Russian Easter Overture (arr. Erickson) (1888/1994)
- Russian Easter Overture (arr. Harnsberger) (1888/2005)
- Russian Easter Overture (arr. Kasama) (1888/)
- Scheherazade (tr. Bocook) (1888/2006)
- Scheherazade (tr. Hindsley) (1888/197-?)
- Scheherazade I The Sea and Sinbad's Ship (tr. Hindsley) (1888/197-?)
- Scheherazade II The Story of the Kalandar Prince (tr. Hindsley) (1888/1986)
- Scheherazade III The Young Prince and Princess (tr. Hindsley) (1888/197-?)
- Scheherazade IV Festival at Baghdad (tr. Hindsley) (1888/197-?)
- Scheherazade (arr. Mortimer) (1888/2000)
- Scheherazade (tr. Patterson) (1888/)
- Scheherazade Selections (arr. Harnsberger) (1888/2009)
- A Song of India (arr. Lake) (1896/1920)
- Song of India (arr. van der Beek) (1896/2008)
- Song of India (arr. Hautvast) (1896/2017)
- Suite from "Le Coq D'or" (arr. Hanna)
- Symphony No. 2 (tr. Southard) (1868/2015)
- The Tsar's Bride Overture (tr. Harding) (1899/1954)
- The Tsar's Farewell (arr. Reed) (2001)
- Variations on a Theme of Glinka (ed. McAlister) (1878/1987)
- Wedding March from The Golden Cockerel (tr. Harding) (1957)
Resources
- Capriccio Espagnol, Wikipedia Accessed 5 March 2016
- Perusal score