Cantus Laetus
Subtitle: Concerto for Winds and Percussion
General Info
Year: 2000
Duration: c. 15:45
Difficulty: VI(see Ratings for explanation)
Publisher: C. Alan Publications
Cost: Score and Parts (print) - $150.00 | Score Only (print) - $50.00
Movements
1. Initium
2. Calamus
3. Aes
4. Ictus
5. Finis
Instrumentation
Full Score
C Piccolo
Flute I-II
Oboe I-II
Bassoon I-II
Contrabassoon
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
B-flat Soprano Saxophone
E-flat Alto Saxophone
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II-III-IV
Trombone I-II
Bass Trombone
Euphonium
Tuba
Piano
Harp
Timpani
Percussion I-II-III-IV, including:
- Bass Drum
- Bells
- Brake Drum (2)
- Chimes
- Crash Cymbals
- Crotales
- Hi-Hat
- Marimba
- Snare Drum
- Suspended Cymbal
- Tambourine
- Tam-Tam
- Temple Blocks
- Tom-Tom (3)
- Triangle
- Vibraphone
- Xylophone
Errata
None discovered thus far.
Program Notes
Cantus Laetus (Joyful Noise) is a statement of praise and affirmation of life which exploits every corner of emotion through the coloristic and dramatic capabilities of the symphonic band. Three main sections feature the three families of the ensemble, Calamus (reeds/woodwinds), Aes (brass), and Ictus (percussion). In addition to its own feature, the percussion section is involved in all the other sections along with the piano and harp.
- Program Note from publisher
My affection for composing for bands, winds, and percussion over the past twenty years has, in part, been a source of inspiration for Cantus Laetus. Another source has been the encouragement I have received from colleagues and friends who have thought that I should write a definitive work exploiting the attributes of this large group of winds and percussion that we call the "band." And, finally, I have been inspired by the University of Georgia Band program under the superb leadership of Dwight Satterwhite. This work is my fourth commission for the University of Georgia Band program and I hope will not be my last.
Virtually all the melodic material for this concerto is based on one of the most famous Gregorian Hymns, Veni Creator Spiritus for the Second Vespers of Whitsunday. This chant, as well as the Easter sequence, Victimae Paschal Laudes, are two of my favorite melodies of all time. Veni Creator Spiritus is tuneful and lends itself to a variety of harmonic settings. The title, Cantus Laetus, translates to Joyful Noise, with "noise" in this case being "music." There is obvious and intended reference in the title to Psalm 100 (Make a joyful noise to the Lord, all the lands!). In fact, wind and percussion instruments are mentioned throughout the entire book of Psalms as instruments of praise. Therefore, Cantus Laetus is a statement of praise and affirmation of life which exploits every corner of emotion through the coloristic and dramatic capabilities of the symphonic band.
The work is cast in three major sections, which are framed by an introduction, Initium, and a coda, Finis. The three middle sections feature the three families of the ensemble, Calamus (reeds/woodwinds), Aes (brass), and Ictus (percussion). In addition to its own feature, the percussion section is involved in all the other sections along with the piano and harp.
- Program Note by composer
Media
State Ratings
- Michigan: Senior High AA
- North Carolina: VI
- Tennessee: VI
Performances
To submit a performance please join The Wind Repertory Project
- West Virginia University (Morgantown) Wind Symphony (Scott C. Tobias, conductor) – 24 September 2018
- Illinois State University (Normal) Wind Symphony (Joseph Manfredo, conductor) – 19 February 2017
- Okemos (Mich.) High School Symphonic Wind Ensemble - 2009
- University of Georgia (Athens) Wind Symphony (Dwight Satterwhite, conductor) – 22 February 2001 (CBDNA 2001 National Conference, Denton, Tx.) *Premiere Performance
Works for Winds by This Composer
Adaptable Music
- Appalachian Counterpoint (Flex instrumentation) (2020)
- At Morning's First Light (Flex instrumentation) (2004/2020)
- Scherzo d'Espoir (Flex instrumentation) (2020)
- Three Ships (Flex instrumentation) (2020)
All Wind Works
- Abiquiu (2010)
- Aerodynamics (2003)
- America the Beautiful (as arranger) (1882/2018)
- And Can It Be? (2000)
- Andromeda (2019)
- Angels of the Apocalypse (2013)
- Apocalyptic Dreams (1995)
- Appalachian Counterpoint (Flex instrumentation) (2020)
- Assurance
- At Evening's First Star (2019)
- At Morning's First Light (2004)
- At Morning's First Light (Flex instrumentation) (2004/2020)
- Au Sable River Festival (2002)
- Be Thou My Vision (1999)
- Bells of Freedom (2002)
- Beneath the Sacred Light (2015)
- Bright Gleams a Beacon (2012)
- Cantus Laetus (2001)
- Century Variants (2009)
- Concertino for Four Percussion and Wind Ensemble (1997)
- Concerto for Euphonium, Winds and Percussion (2009)
- Concerto for Horn and Symphonic Band (2008)
- Concerto for Woodwind Quintet and Wind Ensemble (1984/2006)
- Concerto No. 2 for Marimba and Wind Ensemble (2008)
- Concerto for Piano, Percussion and Wind Orchestra (arr. Fisher) (2005)
- Council Oak (2002)
- A Crescent Still Abides (1998)
- Crest of Honor (2005)
- Double F Fanfare (2008)
- Drums of Rwanda (2014)
- The Echo Never Fades (2004)
- Finale, from All Hail the Power
- Fire Up
- Foster's America (as arranger) (2003)
- Foundations (2017)
- Galactic Empires (1998)
- Glorified (2010)
- Heroes, Lost and Fallen (1990)
- Homage (2012)
- Home Again (2016)
- Internal Combustion (1999)
- Intrada Jubilante (1979/1999)
- Jeju Memoir (2019)
- Joyau (2019)
- Keep Silence (2004)
- Kentucky Home (2012)
- A Light Unto the Darkness (1997/1998)
- Lucid Dreams (2011)
- Mansions of Glory (2007)
- New Century Dawn (1999)
- No Shadow of Turning (2005)
- Point of Reckoning (arr. Daughtrey) (2015)
- Providence (2003)
- Quintessence I (1997)
- Quintessence II (2006)
- Radiant Moonbeams (2007)
- Rising Star
- Sails of Time (2006)
- Scherzo d'Espoir (Flex instrumentation) (2020)
- Serenade for Winds and Percussion (2000)
- Set the World on Fire (2023)
- Seven Bagatelles (2014)
- Song Shall Never End, The (2014)
- Sub-Saharan Rhythm (1998)
- Symphony No. 2 (2007)
- Three Ships (Flex instrumentation) (2020)
- Vintage (1990)
- Vital Signs of Planet Earth (2015)
- Waking Angels (1997)
- When Speaks the Signal Trumpet Tone (1999)
- While the Dew Is Still on the Roses (2013)
- With Heart and Voice (2000)
Resources
- Gillingham, D. (2001). Cantus Laetus = (Joyful Noise) : Concerto for Winds & Percussion [score]. C. Alan Publications: Greensboro, N.C.
- Lourens, Alan. Cantus Laetus. MBM Times, Issue 6 (2012), 73.