Ave Maria (Holst)

Gustav Holst

Gustav Holst (trans. David C. Woodley)

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This work bears the designation Opus 9b.

General Info

Year: 1900 /
Duration: c. 4:40
Difficulty: (see Ratings for explanation)
Original Medium: Female Chorus
Publisher: Unknown
Cost: Score and Parts - Unknown

Instrumentation

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Errata

None discovered thus far.

Program Notes

One of the few early works of Holst to survive his scrupulous self-criticism is an unassuming setting of the Ave Maria for eight-part female chorus. Completed in 1900, shortly after he abruptly left the Royal College of Music, the composition is dedicated to the memory of his mother, Clara Lediard Holst, who died when he was a child.

Largely self-taught as a composer, this early devotional setting noticeably reflects Holst’s multifaceted personality by simultaneously combining clarity of expression with romantic exuberance. Scored for eight independent parts, the music skillfully combines modal and tonal harmonies to produce a setting that sounds both ancient and modern. Smoothly flowing counterpoint creates harmonies of varying intensity and colour, as the chorus is frequently divided into smaller units. In effect, this subdivision creates two independent choruses that musically respond to the demands of the text.

This prophetic little jewel clearly points to his later musical accomplishments, as it is breaking away from the heavy chromaticism of Wagner. Simultaneously, it rejects the austerity of Victorian church music by using dissonances within a diatonic harmony with much greater freedom.

- Program Note from Interlude

Media

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State Ratings

None discovered thus far.

Performances

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Indiana University (Bloomington) Wind Ensemble (Rodney Dorsey, conductor) – 8 November 2022
Indiana University (Bloomington) Wind Ensemble (David C. Woodley, conductor) – 26 March 2019

Works for Winds by This Composer

Adaptable Music

Chaconne from "First Suite in Eb" (Flex instrumentation) (arr. Stanton) (1909/2016)
Fantasia on the "Dargason" (Flex instrumentation) (arr. Stanton) (1911/2013)
Intermezzo (Flex instrumentation) (arr. Stanton) (1909/2017)
Jupiter (arr. Deterling) (Flex instrumentation) (1916/2020)
Jupiter, the Bringer of Jollity (Adaptable Band) (arr. Fisher) (1916/2020)
March (Flex instrumentation) (arr. Stanton) (1911/2010)
March from "First Suite in Eb" (Flex instrumentation) (arr. Stanton) (1909/2015)
March from Second "Suite in F Major" (Flex instrumentation) (arr. Fisher) (1911/2018)
March from "First Suite in Eb" (Flex instrumentation) (arr. Stanton) (1909/2015)
Mars (Flex instrumentation) (arr. Vinson) (1916/2009)
A Moorside March (Flex instrumentation) (arr. Wright; ed. M. Brand) (1928/2021)
Songs from the "Second Suite" (Flex instrumentation) (arr. Stanton) (1911/2012)
Suite from "The Planets" (Flex instrumentation) (arr. Vinson) (1916/2018)

All Wind Music

Ave Maria (tr. Woodley) (1900)
Bach's Fugue à la Gigue (as arranger; ed. Brand). See: Fugue à la Gigue
Bach's Fugue à la Gigue (as arranger; ed. Mitchell) (1707/1928/2005)
Brook Green Suite (tr. Curnow) (1933/2006)
Capriccio (tr. Boyd) (1932/1967/1974)
Capriccio (arr. Paul Noble) (1932/1967/2019)
Chaconne from "First Suite in Eb" (Flex instrumentation) (arr. Stanton) (1909/2016)
Chorale from Jupiter (arr. James Curnow)
Christmas Day (arr. Daehn) (1910/2011)
Christmas Day (arr. Beringen) (1910/2010)
Country Song (arr. Klein) (1906)
Dance of the Spirits of Fire (trans. Harpham) (1918/1922/1971)
Dirge for Two Veterans
Fantasia on the "Dargason" (Flex instrumentation) (arr. Stanton) (1911/2013)
Fantasia on the "Dargason" (arr. Story) (1911/2000)
First Suite in E-flat (1909/1921)
First Suite in E-flat (ed. Matthews) (1909/1921/1984)
First Suite in E-flat (ed. Ito) (1909/2011)
First Suite in E-flat (arr. Longfield) (1909/2006)
First Suite in E-flat for Military Band (ed. Fennell) (1909/2006)
First Suite in E-flat Themes (arr. Sweeney). See: Themes from "First Suite in E-flat"
A Fugal Concerto (arr. Brand) (1923/1993?)
A Fugal Overture (arr. Noble) (1922/2014)
A Fugal Overture (trans. Ponto) (1922)
Fugue à la Gigue (as arranger; ed. Brand) (1707/1928/2008)
Fugue à la Gigue (as arranger; ed. Mitchell). See: Bach's Fugue à la Gigue
Gustav Holst Band Classics (arr. Edwards) (2020)
Hammersmith: Prelude and Scherzo (1930)
A Holst Hymn (arr. Smith) (1921/2022)
A Holst Suite (trans. Thompson) (2018)
Hymns from the Rig Veda (tr. Windram, ed. Mitchell) (1908/1917/2017)
I Vow to Thee, My Country (setting Vaughan Williams; ed. Grechesky) (1921/1988)
I Vow to Thee, My Country (arr. Knorr) (1921/2017)
Illumination (arr. Gene Milford)
In the Bleak Midwinter. See: Winter Suite
Intermezzo (Flex instrumentation) (arr. Stanton) (1909/2017)
Japanese Suite (adapt. Boyd) (1915/1982/1999)
Jupiter (arr. Deterling) (Flex instrumentation) (1916/2020)
Jupiter from "The Planets" (arr. Pay and Smith) (1916/1924)
Jupiter from "The Planets" (arr. Branchfield) (1916/2014)
Jupiter (arr. Brown) (1916)
Jupiter (tr. Curnow) (1916/1990)
Jupiter (arr Hurt) from "The Planets" (arr. Hurt) (1916)
Jupiter (arr. Owens) (1916/2006)
Jupiter Hymn (arr. de Meij) (1916/1921/1990)
Jupiter, the Bringer of Jollity (Adaptable Band) (arr. Fisher) (1916/2020)
Jupiter, the Bringer of Jollity (tr. McAlister; ed. Reed) (1916/2003)
March (Flex instrumentation) (arr. Stanton) (1911/2010)
March from "First Suite for Military Band" (arr. Story) (2011)
March from "First Suite in Eb" (Flex instrumentation) (arr. Stanton) (1909/2015)
March from Second "Suite in F Major" (Flex instrumentation) (arr. Fisher) (1911/2018)
Marching Song (1906/1930)
Marching Song (arr. Moss) (1906/2006)
Marching Song (ed. Reynish) (1906/1983)
March on Three Folk Tunes (ed. Binney) (c. 1913/2005)
Mars (arr. Bocook) (1916/1998)
Mars (arr. Owens) (1916/2009)
Mars from "The Planets" (tr. Pay and Smith) (1916/1924)
Mars, from "The Planets" (tr. Singleton) (1916/2001)
Mars (Flex instrumentation) (arr. Vinson) (1916/2009)
Midwinter (arr. Phillips) (2012)
Moorside March (arr. Jacob) (1928/1960)
A Moorside March (Flex instrumentation) (arr. Wright; ed. M. Brand) (1928/2021)
A Moorside Suite (arr. Wright)
Morris Dance Tunes (arr. Wagner) (1910/2010)
On This Day the Earth Shall Ring (arr. Smith) (2001)
The Perfect Fool (arr. Short) (1922/2005)
The Planets (tr. Inagaki) (1916)
The Planets (tr. Janssen) (1916/2017)
The Planets (tr. Patterson) (1916/1998)
The Planets (tr. Schrijvers) (1916/2005)
The Planets (tr. Vives) (1916/2007?)
The Planets (tr. Smith) (1916/1921)
Scherzo (tr. Patterson) (1933/2021)
Second Suite in F (ed. Fennell; score assembly Schissel) (1911/2006)
Second Suite in F (arr. Johnston) (1911/2011)
Second Suite in F (ed. Matthews) (1911)
Second Suite in F (ed. Neumann) (1911)
Second Suite in F (ed. Ito) (1911/1922/2012)
Second Suite in F (adapt. Longfield) (1911/2007)
Second Suite in f minor / F Major (ed. Hauswirth and Schmidt) (1911/2014)
A Somerset Rhapsody (tr. Clare Grundman) (1906/1927/1980)
The Song of the Blacksmith (arr. Loest) (1911/2011)
Songs from the "Second Suite" (Flex instrumentation) (arr. Stanton) (1911/2012)
Songs of the West (arr. James Curnow) (1907/1986)
St. Paul's Suite (arr. Sparke) (1912-1913/2017)
Suite from "The Planets" (arr. Custer) (1916/1991)
Suite from "The Planets" (Flex instrumentation) (arr. Vinson) (1916/2018)
Themes from "First Suite in E-flat" (arr. Sweeney) (1909/2006)
Three Folk Tunes (arr. Wagner) (c. 1913/2007)
Two Songs Without Words (arr. Erickson) (1906/1996)
Uranus (tr. Curnow) (1916/1991)
Winter Suite
- On This Day Earth Shall Ring (arr. Smith) (1924/2001)
- In the Bleak Midwinter (arr. Bullock) (1906/1996)
- In the Bleak Midwinter (arr. Giroux) (1906/2018)
- In the Bleak Midwinter (arr. Smith) (1906/1992)
- Old Brenton Carol (arr. Smith) (1910/2001)

Resources

Predota, Greg. "Minors of the Majors: Gustav Holst: Ave Maria." Interlude. 7 November 2016. Web. Accessed 27 March 2019