Please DONATE to help with maintenance and upkeep of the Wind Repertory Project!
|
Arrival of the Queen of Sheba (arr Ricketts)
George Frideric Handel (arr. Ricketts)
This article is a stub. If you can help add information to it,
please join the WRP and visit the FAQ (left sidebar) for information. |
This work bears the designation HWV 67.
Contents
General Info
Year: 1748 / 2004
Duration: c. 3:55
Difficulty: IV (see Ratings for explanation)
Original Medium: Two oboes and strings
Publisher: Hal Leonard
Cost: Score and Parts (print) - $60.00 | Score Only (print) - $7.50
Instrumentation
Full Score
Flute I-II
Oboe
Bassoon
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II
Trombone I-II
Euphonium
Tuba
String Bass
Timpani
Percussion I-II-III
(percussion detail desired)
Errata
None discovered thus far.
Program Notes
An instrumental movement from the 1749 oratorio Solomon by George Frideric Handel, this bright and bustling music is a Baroque favorite, often played at festive occasions. The distinctive Howard Cable brass quintet arrangement, on which this concert band arrangement is based, has long been in the repertory of the Canadian Brass.
- Program Note by publisher
Solomon, HWV 67, is an English oratorio by George Frideric Handel. The music was composed between 5 May and 13 June, 1748, and the first performance took place on 17 March, 1749, at the Covent Garden Theatre in London. Handel revived the work in 1759.
The oratorio contains a short and lively instrumental passage for two oboes and strings in Act Three, known as The Arrival of the Queen of Sheba, which has become famous outside the context of the complete work and was featured at the London Olympics in 2012.
- Program Note from Wikipedia
Commercial Discography
None discovered thus far.
Media
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- University of North Texas (Denton) Wind Symphony (Eugene Migliaro Corporon, conductor; Canadian Brass) - 14 February 2019 (2019 TMEA Conference, San Antonio)
Works for Winds by this Composer
Adaptable Music
- Hail the Conquering Hero (Flex instrumentation) (arr. Marlatt) (1746/2008/2014)
- Hallelujah Chorus (Flex instrumentation) (arr. Stanton) (1741/2013)
- Hallelujah Chorus (Flex instrumentation) (arr. Thorp) (1741/2003)
- Hornpipe from the "Water Music" (Flex instrumentation) (arr. Stanton) (1717/2012)
- Handel's Largo (Flex instrumentation) (arr. Brand) (1738/2007)
- See the Conquering Hero Comes (Flex instrumentation) (arr. Brand) (1746/2007)
- Water Music Suite (Flex instrumentation) (arr. Kanayama) (1717)
All Wind Works
- Amen (arr. Grace)
- Antiphonal Alleluia (arr. Liebergen) (1746/1999)
- Arm, Arm, Ye Brave (arr. Barrow) (1746/1980)
- Arrival of the Queen of Sheba (arr. Allen) (1748/2007)
- Arrival of the Queen of Sheba (arr. Kenny) (1748/1988)
- Arrival of the Queen of Sheba (arr. Ricketts) (1748/2004)
- Concerto Grosso, Op 6
- Conquering Hero Comes, The, from "Judas Maccabeus"
- Dead March from "Saul"
- Entrance of the Queen of Sheba (arr. Marlatt) (1748/2011)
- Finale Grandioso (arr. Philip Gordon)
- The Gods Go A-Begging (arr. Beecham; arr. Duthoit; rev. Leidzen) (1929/1947)
- Hail the Conquering Hero (arr. Marlatt) (2008)
- Hail the Conquering Hero (Flex instrumentation) (arr. Marlatt) (1746/2008/2014)
- Hallelujah (arr. Davis and Longfield) (1741/2004)
- Hallelujah Chorus (arr Ades) (1741/1958)
- Hallelujah Chorus (arr. Barnes) (1741/1988)
- Hallelujah Chorus (arr. Chiaffarelli) (1741/1941)
- Hallelujah Chorus (arr. Johnson) (1741/1951)
- Hallelujah Chorus (arr. Rondeau) (1741/2010)
- Hallelujah Chorus (Flex instrumentation) (arr. Stanton) (1741/2013)
- Hallelujah Chorus (Flex instrumentation) (arr. Thorp) (1741/2003)
- Handel's Largo (Flex instrumentation) (arr. Brand) (1738/2007)
- Hornpipe from the "Water Music" (Flex instrumentation) (arr. Stanton) (1717/2012)
- Hornpipe from "Water Music Suite" (1717)
- La Rejouissance (arr. Williams)
- La Rejouissance from "Music for the Royal Fireworks" (arr. Seipp)
- Larghetto (arr. Bullock) (1738/1994)
- Largo (arr. Barnes) (1988)
- Let Me Weep (arr. Haan) (1711/2004)
- March and Gavotte (arr. King) (1705/1956/1990)
- Menuetto from Symphony No. 104 "London" (arr. Glover)
- Messiah Overture (arr. Johnson) (1741/1966)
- Music for the Royal Fireworks (arr. Erickson) (1749/1997)
- Music for the Royal Fireworks, The (arr Boudreau) (arr. Boudreau) (1749/1959)
- Music for the Royal Fireworks, The (arr Mackerras) (arr. Mackerras and Baines) (1749/1960)
- No Shade So Rare (arr. Forsblad) (1738/1999)
- Overture in D Minor
- Royal Fireworks Music (arr. Sartorius) (1749/1941)
- Royal Fireworks Music (arr. Schaefer) (1749/1982)
- Sarabande
- See the Conquering Hero Comes (Flex instrumentation) (arr. Brand) (1746/2007)
- Slow March from "Scipio"
- Song of Jupiter (arr. Anderson) (1952)
- Suite from "Messiah" (trans. Curnow) (1741/1989)
- Thanks Be to Thee
- Three Chorales for Band (with Pasquini and Tchaikovsky; arr. Thornton) (1992/2004)
- Three Movement from "Water Music" (arr. Wagner) (1715/2014)
- Water Music (arr. Longfield) (1717/1997)
- Water Music Suite (arr. Erickson) (1717/1985)
- Water Music Suite (Flex instrumentation) (arr. Kanayama) (1717)
- Water Music Suite (arr. Kay) (1717/1950)
- Zadok the Priest
Resources
- Handel, G.; Ricketts, T.; Cable, H. (2004). Arrival of the Queen of Sheba [score]. Canadian Brass: Milwaukee, Wisc.
- Solomon (Handel), Wikipedia Accessed 5 November 2016