American in Paris, An (arr Brubaker)
George Gershwin (arr. Jerry Brubaker)
General Info
Year: 1929 / 1994
Duration: c. 8:25
Difficulty: IV 1/2 (see Ratings for explanation)
Publisher: Alfred Music
Cost: Score and Parts - $85.00 | Score Only - $9.00
Instrumentation
Full Score
C Piccolo/Flute III
Flute I-II
Oboe I-II
English Horn
Bassoon
E-flat Soprano Clarinet
B-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
B-flat Contrabass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
String Bass
Timpani
Percussion I-II, including:
- Bass Drum
- Bells
- Crash Cymbals
- Snare Drum
- Taxi Horns (4)
- Tom-Tom
- Wire Brush
- Wood Block
- Xylophone
Errata
None discovered thus far.
Program Notes
Gershwin was best known as a writer of music for the entertainment market, but he did make several excursions into the realm of art music. One of these was the result of a brief visit to Paris in 1926 (from which he returned with a French taxicab horn and the sketch of a melody) and a longer stay in 1928. He made use of both the horn and the melody while writing this piece during his second viit. He called the work a "rhapsodic ballet." His description follows:
" I have not endeavored to present any definite scenes in this music. The rhapsody is programmatic in a general impressionistic sort of way, so that the individual listener can read into the music such episodes as his imagination pictures for him. The opening section is followed by a rich 'blues' with a strong rhythmic undercurrent. Our American friend, perhaps after strolling into a cafe, has suddenly succumbed to a spasm of homesickness. The blues rises to a climax followed by a coda in which the spirit of the music returns to the vivacity and bubbling exuberance of the opening part with its impressions of Paris."
- Program Note from Program Notes for Band
Media
(Needed - please join the WRP if you can help.)
State Ratings
- Virginia: III
Performances
To submit a performance please join The Wind Repertory Project
- Manhattan Wind Ensemble (New York City) (Sarah Fernandez, conductor) - 2 December 2023
- Spring Garden Band of York (Penn.) (Jeffrey Shaull, conductor) - 24 May 2023
- Syracuse University (N.Y.) Wind Ensemble (Timothy Diem, conductor) - 13 April 2023
- Texas Community College Band Directors Association All-State Symphonic Band (Caroline Beatty, conductor) – 11 February 2023 (2023 TMEA Conference, San Antonio)
- University of New Mexico (Albuquerque) Symphonic Band (Steven Smyth, conductor) - 16 November 2022
- Texas Tech University (Lubbock) Symphonic Wind Ensemble (Sarah McKoin, conductor) - 8 May 2021
- Illinois State University (Normal) Symphonic Winds (Anthony Marinello, III, conductor) – 19 November 2019
- University of South Florida (Tampa) Wind Ensemble (Logan Sorey, conductor) – 6 October 2019
- Austin (Texas) Symphonic Band (Richard Floyd, conductor) - 12 November 2017
- University of Texas (Austin) Symphony Band (Anthony C. Marinello III, conductor) – 5 May 2017
- San Luis Obispo Wind Orchestra (David Rackley, conductor) – 27 September 2015
- University of California, Santa Cruz, Wind Ensemble (Nathanial Berman, conductor) - 5 December 2014
Works for Winds by This Composer
Adaptable Music
- I Got Rhythm (Flex instrumentation) (arr. Story) (1930/2020)
- Rhapsody in Blue (Flex instrumentation) (arr. Murtha) (1924/2020)
- Summertime (Flex instrumentation) (arr. Wada) (1934/2018)
All Wind Works
- An American in Paris (tr. Krance) (1929/1959)
- An American in Paris (arr. Brubaker) (1929/1994)
- An American in Paris (arr. Hoshina) (1929/1980)
- An American in Paris (arr. Nowlin) (1929/2016)
- An American in Paris (arr. Satone) (1929)
- An American in Paris (arr. Tamanini) (1929/2015)
- An American in Paris (orch. Van Gils) (1929/1994)
- But Not for Me (arr. Barker) (1930/1995/2006)
- Catfish Row (arr. Hunsberger) (1934/2000)
- Concerto for Piano in F (tr. Grofé) (1925/1928)
- Concerto in F (arr. Jorge) (1925/2017)
- Concerto in F for Piano and Wind Band (arr. Bulla) (1925/2009)
- Cuban Overture (arr. Koekelkoren) (1925/1987)
- Cuban Overture (arr. Milburn) (1925/)
- Cuban Overture (arr. Rogers) (1933/2001)
- Embraceable You (arr. Barker) (1930 / 1999)
- Fascinatin' Gershwin (arr. Murtha)
- Fascinating Rhythm (arr. Bulla) (1924)
- Fascinating Rhythm (arr. Del Borgo) (1924/1994)
- Fascinating Rhythm (arr. Taylor) (1924/1961/2006)
- A Foggy Day in London Town (arr. Ninmer) (1937/)
- George by Fred (arr. Frenkel)
- George Gershwin (arr. Chase) (1971)
- George Gershwin Selection (tr. Bennett) (1947)
- Gershwin! (arr. Barker) (1997)
- Gershwin: A Medley (arr. Bennett) (1972)
- Gershwin by George! (arr. Brubaker) (2015)
- A Gershwin Fantasy (arr. Martino) (1991)
- Gershwin on Broadway (arr. Moss) (1991)
- A Gershwin Portrait! (arr. Higgins) (1985)
- A Gershwin Tribute to Love (arr. Heisinger) (2014)
- The Great Gershwin (arr. van der Beek) (2018)
- How Long Has This Been Going On? (arr. Barker) (1927/2000)
- I Got Plenty O' Nuttin' (arr. Wagner) (1935/2008)
- I Got Rhythm (arr. Davis) (1930)
- I Got Rhythm (arr. Story) (1930/2020)
- I Got Rhythm (Flex instrumentation) (arr. Story) (1930/2020)
- Japanese (arr. Wagner; scored Sandler) (c. 1918/2006)
- Liza (arr. Teague) (1929/1944)
- The Man I Love (arr. Bergman) (1924)
- March from "Strike Up the Band" (arr. Hearshen) (1927/1987)
- Overture to "Strike Up the Band" (arr. Matsushiro) (1927)
- Porgy and Bess: Selections (arr. Bennett) (1934/1942)
- Porgy and Bess (arr. Barnes) (1934/2002)
- Porgy and Bess Medley (arr. Hermann) (1934/)
- Porgy and Bess Medley (arr. Lowden) (1934/1984)
- Rhapsody in Blue (tr. Grofe) (1924/1938)
- Rhapsody in Blue (arr. Hunsberger) (1924/1998)
- Rhapsody in Blue (Flex instrumentation) (arr. Murtha) (1924/2020)
- Rhapsody in Blue (arr. Verrier) (1924/1998)
- Rhapsody in Blue (ed. Bañagale) (1924/2023)
- Rhapsody in Blue (jazz band) (arr. Grofe) (1924)
- Rhapsody in Blue (tr. Tamanini) 1924/2010)
- Rialto Ripples (arr. Di Scala) (1917/2013)
- 'S Wonderful (arr. Barker) (1919/1996)
- Second Prelude (arr. Krance) (1927/1964)
- Someone to Watch Over Me (arr. Barker) (1926/1995)
- Someone to Watch Over Me (arr. Rumbelow) (1926/2006)
- Strike Up the Band (arr. Barker) (1927/1981/1997)
- Strike Up the Band (arr. Brubaker) (1927/1994)
- Strike Up the Band (arr. Moss) (1927/1967)
- Strike Up the Band (arr. Nestico) (1927)
- Strike Up the Band (arr. Paynter) (1927)
- Strike Up the Band (arr. Pegram) (1927/1979)
- Strike Up the Band (arr. Schoenfeld) (1927/1956)
- Summertime (arr. Custer) (1934/1995)
- Summertime (arr. Garcia; ed. Shaw) (1934)
- Summertime (arr. Lang) (1934/1959)
- Summertime (Flex instrumentation) (arr. Wada) (1934/2018)
- Summertime from "Porgy and Bess" (arr. Longfield) (1934/2015)
- Swanee (arr. Holcombe) (1919)
- The Symphonic Gershwin (arr. Barker) (2011)
- They Can't Take That Away from Me (arr. Barker) (1937/2001)
- Three Preludes (arr. Norris) (1927/)
- Three Preludes (tr. Williams) (1927/2015)
- A Tribute to Gershwin (arr. Bullock) (20098)
- Walking the Dog (arr. Bourgeois) (1937/2007)
Resources
- Smith, Norman E. (2002). Program Notes for Band. Chicago: GIA Publications. pp. 226.
- Gershwin, G.; Brubaker, J. (1994). An American in Paris [score]. WB Music Corp.: Miami, Fla.