Please DONATE to help with maintenance and upkeep of the Wind Repertory Project!
|
Amenominakanushi
Subtitle: Father of the Universe
General Info
Year: 2017
Duration: c. 8:45
Difficulty: IV (see Ratings for explanation)
Publisher: Bravo Music / Brain Music
Cost: Score and Parts - $300.00 (Rental)
Instrumentation
Piccolo
Flute I-II
Oboe
Bassoon
E-flat Soprano Clarinet
E-flat Soprano Clarinet I-II-III
B-flat Bass Clarinet
E-flat Alto Saxophone I / B-flat Soprano Saxophone
E-flat Alto Saxophone II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horns in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
String Bass
Timpani
Percussion I-II-III-IV-V-VI, including:
- Bass Drum
- Chimes
- Chappa(Japanese Cymbals) or Chanchiki
- Claves
- Glockenspiel
- Japanese Drum Set
- Marimba
- Snare Drum
- Tam-tam
- Rain Stick
- Ribbon Crasher
- Sleigh Bells
- Suspended Cymbal
- Vibraphone
- Whip
- Wind Chime
- Wood Block
- Xylophone
- Yagura Daiko
Errata
None discovered thus far.
Program Notes
Amenominakanushi (Heavenly Ancestral God of the Originating Heart of the Universe) is, according to the Shinto Kojiki, the first kami and the source of the universe. In Japanese mythology, Amenominakanushi is described as a "god who came into being alone" (hitorigami), the first of the zōka sanshin ("three kami of creation"), and one of the five kotoamatsukami ("distinguished heavenly gods").
By writing my previous work Sea Goddess (Torinoiwakusufunenokami), myth for winds and percussion, I realized the charm of expressing Japanese myth in wind orchestra. Japanese mythology is imaginative and motivating.
What is important in this work is the chappa (japanese cymbals) rhythm. Based on this, the orchestration was devised so that music can be composed and three-dimensional sound can be created. In addition, we have devised a thick sound like a pipe organ and effective use of percussion instruments to create a sense of color.
Sea Goddess had elements such as jazz and pop based on the Japanese taste. Amenominakanushi is fully Japanese-styled. Personally, I think it is a sequel to Sea Goddess. It is a work that can be exhibited by students, general groups, and professional performers with their individuality, depending on the playing group.
The premiere of Shiei Junior High School in Kitakyushu City (Fukuoka Prefecture, Japan) was a dynamic and dramatic performance. Niigata Meikun High School (Niigata Prefecture, Japan) impressed the audience with a polite performance.
This work has lots of fun of dynamism, mood, propulsion and rhythm!
- Program Note by composer
Commercial Discography
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- University of Wisconsin-Whitewater Symphonic Wind Ensemble (Glenn C. Hayes, conductor) - 24 April 2022
Works for Winds by This Composer
Published only
Adaptable Music
- A Beautiful Day (Flex instrumentation) (2016)
- Makalish Sophia (Flex instrumentation) (2015)
- Makam Dance (Flex instrumentation) (2012)
- Tango Impressions (Flex instrumentation) (2016)
- Variations on a Theme of Paganini (Flex instrumentation) (1807/2013)
All Wind Works
- Amenominakanushi (2017)
- At Meditation for Four Percussionists (2011)
- At Night when Beautiful Star Falls (2011)
- At Night when Beautiful Star Falls 2 (2014)
- Banda Dramatico (2018)
- Barbaresque (2019)
- A Beautiful Day (Flex instrumentation) (2016)
- Calling from Jesus Christ (2016)
- Exoticism (2014)
- Farandole from L'Arlésienne Suite No.2 (as arranger) (2014)
- The Fragment of J (2012)
- Gryphon’s Prayer (2014)
- Hiroshima Toyo Carp Support Songs (as arranger) (2016)
- Itsuka-no-sato, Iizuka (2015)
- The Knight of the Sky (2013)
- Konohananosakuya-hime, Sakura Princes (Larger Version) (2018)
- Konohananosakuya-hime, Sakura Princes (Smaller Version) (2018)
- The Light Shift of Orient (2013)
- Makalish Sophia (Flex instrumentation) (2015)
- Makam Dances (2015)
- Makam Dance (Flex instrumentation) (2012)
- Makam Passionato (2018)
- Makam Spirits (2018)
- Memory, Prayer and Revival for Higashi Nihon (2018)
- Miyabi (2012)
- Miyabi-Sakura (2016)
- Musica Ethnote (2018)
- Namikage (2017)
- On Beast (2016)
- Oriental Rhapsody (2013)
- Oriental Rhyth-mood (2014)
- The Path Tenma (2008)
- Percussive Brass (2015)
- Percussive Dance 2011 (2012)
- Percussive Space (2009)
- Percussive Wave (2013)
- Prominence II (2017)
- PULSACION (as arranger) (2012)
- Ran-ei, Hazy Mountain Atmosphere (2015)
- St. Elmo's Fire (2017)
- Sculpture in Brass (2012)
- Sea Goddess (Larger Version) (2013)
- Sea Goddess (Smaller Version) (2015)
- Shi-Shi Kagura (2010)
- Spirytus (2016)
- Strait Defense (2015)
- Tango Impressions (Flex instrumentation) (2016)
- Theme from "Howl's Moving Castle" (as arranger) (2004/2011)
- Tori no Iwa Kusu Fune no Kami (2012)
- Tracks from Mammoth Cave (2011)
- Variations on a Theme of Paganini (Flex instrumentation) (1807/2013)
- Viva Sugar Road March (2015)
- Xylophone Magic (2012)
- Yoikage (2019)