Amanda Harberg

From Wind Repertory Project
Amanda Harberg


Amanda Harberg (b. 1973) is an American educator, composer and pianist.

Dr. Harberg completed her undergraduate and masters degrees at the Juilliard School and earned her Ph.D. from Rutgers University School of Graduate Studies. She received a Fulbright/Hays fellowship to study for a year with composer/pianist Frederic Rzewski.

Harberg's writing for a wide range of instruments weaves classical Western tradition with contemporary influences to create a distinctively personal style which “conveys a thoroughly original sense of happiness in music,” according to Cleveland Classical. As the in-house composer for Common Good Productions, Harberg has composed scores for The Abominable Crime, an award winning feature documentary, and Beyond Borders: Undocumented Mexican Americans which aired over 2,000 times on PBS stations across the country, as well as a number of shorter films for Common Good Productions.

Her work has been conducted by Yannick Nézet-Séguin, JoAnn Falletta, David Alan Miller and David Lockington, among others. She has been commissioned by the Philadelphia Orchestra Association, the New World Symphony, the Grand Rapids Symphony, the Juilliard School, the Albany Symphony’s Dogs of Desire, the New Jersey Youth Symphony, the Dorian Wind Quintet, the Bay Atlantic Symphony, the Harmonium Choral Society, and the Network for New Music. She has also received many consortium commissions for new recital works.

Her work has also been presented at leading institutions including Carnegie Hall, Lincoln Center, Verizon Hall, the Philadelphia Chamber Music Society, and Bargemusic. Her recent works for flute and piccolo have won numerous awards and Harberg “has become something of a hero to the flute and piccolo community along the way,” notes the website of the Chicago Symphony Orchestra.

Harberg has received a Fulbright Hays fellowship, the Juilliard School’s Peter Mennin prize, two New Jersey State Council on the Arts Fellowships, a New York State Council on the Arts Fellowship, and a MacDowell Colony summer residency. Her chamber music has also won four Newly Published Music Awards from the National Flute Association.

Also active as a concert-level pianist, Harberg has recently performed with principals of major orchestras including Erica Peel (Philadelphia Orchestra), Martin Chalifour (Los Angeles Philharmonic), YaoGuang Zhai (Baltimore Symphony), Robert Langevin (New York Philharmonic), Dennis Kim (Pacific Symphony), and Mindy Kaufman (New York Philharmonic), as well as with close colleagues Julietta Curenton, Valerie Coleman, Adrian Morejon, Benjamin Fingland, and Jessica Meyer.

Dr. Harberg is a dedicated educator with more than two decades of experience teaching composition, piano, music theory, aural skills, and 20th/21st century music history. She is in her sixth year of teaching composition at Rutgers University Mason Gross School of the Arts, and in the summers she is on the composition faculty at the Interlochen Arts Camp. Harberg began teaching through the Morse Fellowship program, which sends Juilliard students into New York City public schools. She also served on the faculty of the Juilliard School’s Music Advancement Program, which is dedicated to educating students from diverse and underrepresented backgrounds. Harberg has also taught composition at the the Luzerne Music Center, the Rocky Ridge Music Center, and the ASTA Chamber Music Institute. Harberg is a frequent guest at schools and universities where she particularly enjoys speaking to students about how to live an artistically vital and authentic life in today’s society.

Works for Winds