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Acht Lieder
Richard Strauss (arr. Toshinari Iijima)
This work bears the designation Opus 10.
Contents
General Info
Year: 1885 / 2017
Duration: c. 7:00
Difficulty: III (see Ratings for explanation)
Original Medium: Songs
Publisher: Bravo Music
Cost: Score and Parts (print) - $120.00 | Score Only (print) - $20.00
Movements
1. Allerseelen – 2:57
2. Nichts - 1:30
3. Zueignung – 2:00
Instrumentation
Full Score
C Piccolo
Flute I-II
Oboe
English Horn
Bassoon
E-flat Clarinet
B-flat Soprano Clarinet I-II-III
E-flat Alto Clarinet
B-flat Bass Clarinet
B-flat Contrabass Clarinet
E-flat Alto Saxophone I-II
B-flat Tenor Saxophone
E-flat Baritone Saxophone
B-flat Trumpet I-II-III
Horn in F I-II-III-IV
Trombone I-II-III
Euphonium
Tuba
String Bass
Harp
Timpani
Percussion, including:
- Glockenspiel
Errata
None discovered thus far.
Program Notes
Allerseelen (All Souls' Day) is an art song for voice and piano composed by Richard Strauss in 1885, setting a poem by the Austrian poet Hermann von Gilm from his collection Letzte Blätter (Last Pages). It is the last in a collection of eight songs which were all settings of Gilm poems from the same volume entitled Acht Lieder aus Letzte Blätter (Eight Songs from Last Pages), the first collection of songs Strauss ever published as Op. 10 in 1885, including also Zueignung (Dedication) and Die Nacht (The Night).
- Program Note from Wikipedia
Commercial Discography
- Audio CD: Osaka Municipal Symphonic Band
Media
State Ratings
None discovered thus far.
Performances
To submit a performance please join The Wind Repertory Project
- Louisville (Ky.) Winds (Nan Moore, conductor) - 19 December 2019 (2019 Midwest Clinic)
Works for Winds by this Composer
- Acht Lieder (trans. Iijima) (1885/2017)
- Allerseelen (arr. Davis, ed. Fennell) (1885/1955/1987)
- Allerseelen (trans. Heger) (1885/1933)
- Also Sprach Zarathustra (arr. Longfield) (1896/2001)
- At the Summit from "Eine Alpensinfonie" (arr. Miller)
- Auf Stillem Waldespfad (arr. Davis) (2010)
- Concerto No 1 for Horn and Symphonic Band (tr. Anderson)
- Dance of the Seven Veils from "Salome" (arr. Morita) (1907/2011)
- Don Juan (tr. Hindsley) (1888/197-?)
- Don Juan (tr. Patterson) (1888/)
- Fanfare fur die Wiener Philharmoniker (1924)
- Fanfare zur Eröffnung der Musikwoche der Stadt Wien im September 1924
- Feierlicher Einzug (ed. Villanueva) (1909)
- Feierlicher Einzug der Ritter des Johanniter-Ordens (1909)
- Festmusik der Stadt Wien (1942-3)
- Festmusik der Stadt Wien (arr Banks) (arr. Banks) (1942-3/1979)
- Finale from "Death and Transfiguration" (arr. Harding) (1950)
- Hero's Courtship, A (tr. Harding) (1956)
- Hero's Life, Synthesis for Concert Band, A (tr. Hindsley)
- Konigsmarsch (arr. Barrett) (1906/1941)
- Olympische Hymne
- Parade March (arr. Longfield) (1905/2016)
- Presentation of the Silver Rose (arr. Reed) (1910/1988)
- Rondo from Concerto No. 1, Opus 11 (arr. Glover) (1883/2009)
- Salome's Dance (tr. Hindsley) (1907/ [196-?]
- Selections from "Der Rosenkavalier" (arr. Odom)
- Serenade, Opus 7 (arr. Fennell) (1881/1986)
- Sonatina I (1943)
- Sonatina No. 2, Fröhliche Werkstatt (1944-5)
- A Strauss Fanfare (arr. Friedman) (2006)
- Suite in B-flat , Opus 4
- Symphony for Wind. See: Sonatina No. 2, Fröhliche Werkstatt
- Three Songs (arr. Kreines) (1885-1894)
- Till Eulenspiegel’s Merry Pranks (tr. Hindsley) (1865/197-?)
- Trio from "Der Rosenkavalier" (arr. Reynolds) (1911/1994)
- Wiener Philharmoniker Fanfare (1924)
- Wiener Philharmoniker Fanfare (arr. Rumbelow) (1924/2013?)
- Waltzes from "Der Rosenkavalier" (1911/1946)
Resources
- Allerseelen (Strauss), Wikipedia Accessed 19 December 2019